Who is gay in bridgerton in real life

Phoebe Dynevor, who plays Daphne Bridgerton in seasons 1 and 2 of the show, is engaged to actor Cameron Fuller. They were first photographed together in March , however, they didn't spark. The historical drama, which is based on the book series written by Julia Quinn , follows the members of the wealthy Bridgerton family as they search for love in 19th century London. Off screen, the cast has remained more tight-lipped about their personal lives. Fans have since been waiting in anticipation for Colin Bridgerton's Luke Newton friendship with Penelope Featherington Nicola Coughlan to turn into something more during the third season of the hit Netflix series.

Fast-forward two hundred years, to a time when Bailey plays many straight characters on screen, but is openly gay in real life. But that considerable freedom is as much a blessing as it is a curse; over the years, Benedict has experimented—with art, with women, with opium—in search of his true calling in life. Where does he want to go? Benedict opens himself up to a new world of pleasure in the second half of the new season , which premiered Thursday.

Jonathan Bailey has revealed he was very aware of his sexuality after playing a straight character in Netflix 's smash hit Bridgerton. The actor, 36, who is openly gay, explained that the media. By Marc Malkin. Senior Editor, Culture and Events. It could or it would ruin your career as an actor.

We might have to wait a little longer to see Benedict Bridgerton fall in love on screen, but in real life, actor Luke Thompson is reportedly dating his co-star Harriet Cains, who plays. It's the series that's no stranger to a stellar love story. In fact, since its debut in , Bridgerton has given its legion of fans love story after love story, all of which have made us cry, laugh and swoon but maybe not always in that order. But away from the ton and their Regency-era characters, the actors who portray our beloved characters have love lives of their own, many of which are as worthy of attention as their fictional counterparts.